2/16/2024 0 Comments Music licence for artists![]() ![]() A licensing deal will usually leave you with anything from 30-75% of the deal. If someone is genuinely insistent on making it exclusive or nothing make sure you are going to win big, long-term, from the deal.Īlso, remember to look at the percentage you’ll be making. ![]() The industry standard is to stay non-exclusive as it lets you get involved in all sides of licensing without having to be constrained by old deals that you signed up to and agreed with. A non-exclusive contract means that you have to maintain all of the rights to your music and also license one song in more than one place.Įxclusive licenses can get you a nice earner, sure, but they can leave you high and dry in the long run without the ability to keep earning from old content and materials. Many young independent rappers get offered an exclusive licensing contract and feel like they’ve hit the big time – the problem is that it’s usually the total opposite. This helps as every little sale will, and it can be used to get you some nice money for being used in a commercial in some country you’ll never visit! Staying non-exclusive One of the main reasons for a database is that it lets you go international – you’ll find that many other countries will start using your tunes. Make sure you take the time to insert the right tags for your stuff as well as you want it to be as visible as possible for others. Databases also help you get access to programs and third party software kits such as Audiosparx which are always looking for help.ĭatabases are much easier to search and sift through, though, so you can afford to be a bit pickier with who you choose to dance with when getting licensed. It also helps you maximize revenue streams and to make sure that you have as big a chance as possible of finding some good quality help.Īn agent will typically have far more qualified and profitable friends to turn to than a normal database, but a database can be easier to get involved with. Both have their drawbacks and their positives but you will find that having a mixture of both is the best bet for success. However, you can do both in this instance – and it’s something that we highly recommend. From there the agency or the database gives you access to people who might be interested in using your material. Instead you have to be ready to either sign up with a database or with an agent. Unfortunately it’s not – registering is just the first part of the process. ![]() Once you have signed up and register, you might think it’s all going to be printing money and parties from here on in. To avoid having to deal with this, uh, “charming” side of the music industry you should get registered as soon as you possibly can. The big problem is that many people try and get licensed without registration this is more or less impossible and also a bit of a legal minefield. All this takes is $60 to get setup, so it’s a piece of cake to get prepared for your registration. The very first steps that you need to take with music licensing is all about getting registered, preferably with one of ASCAP or SESAC.ĪSCAP is the most commonly chosen group so if you want to stay on the right track this is the way to go. In short, licensing allows you to get your name out there and let people hear the quality of service you are offering. It’s the process of going through the rights, the campaigns and the tools needed to make sure your music is being used in movies, TV shows, commercials and everything else you can think of. It obviously helps to know the future of what you intend to get involved with, and music licensing is all about the future. We’re going to break down the main things you need to understand about licensing. If you are worried this will be the prohibitive action that stops you from moving forward with your career, take a read through this article. Similar to understanding the ins-and-outs of music publishing, licensing is absolutely something all indie artists need to get their head around. You might be a really talented artist, but if you can’t dance with the demands of the music licensing side of things then you will definitely struggle. That’s just a given – creative people are naturally going to steer towards the creative aspects of the music industry. For many independent rappers, the actual administrative side of the music business can be a lot harder to appreciate and understand than the music side of things. ![]()
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